Our Father You are Holy
Ricky Dillard & New G "The Light"
Bishop Noel Jones & The City Of Refuge Choir - Not About Us
I Give You Praise, Darwin Hobbs
Tuesday, June 29, 2010
Sunday, June 27, 2010
Saturday, June 26, 2010
Oleta Adams
Oleta Adams - Holy Is The Lamb
Oleta Adams - Peace
Oleta Adams - A Child Was Born Into My Life
Oleta Adams - Peace
Oleta Adams - A Child Was Born Into My Life
Thursday, June 24, 2010
Wednesday, June 23, 2010
You Just Don't Wanna Know - Pastor Marvin Winans
Please join our cause for "JUSTICE" and freedom for the Scott Sisters. Please invite your friends to join us !! We need to make more people aware . Love and Action is the answer. Really love them. Hate what is wrong. Hold tightly to what is good. Love each other with genuine affection, and take delight in standing for what is right !!!
Sunday, June 20, 2010
Alvin Ailey's Revelations
Alvin Ailey's Revelations - Section 1: Pilgrim of Sorrow
Alvin Ailey's Revelations - Section 2: Take Me To The Water
Alvin Ailey's Revelations - Section 3: Move, Members, Move!
Revelations is the signature choreographic work of Alvin Ailey American Dance Theater. It was first produced by Alvin Ailey Dance Theater in New York City, New York on January 31, 1960. Revelations tells the story of African-American faith and tenacity from slavery to freedom through a suite of dances set to spirituals and blues music.
Revelations is divided into three sections "Pilgrim of Sorrow", "Take Me To The Water" and "Move, Members, Move!"
Pilgrim of Sorrow
The opening section of Revelations. Ailey described this section as "songs that yearn for deliverance, that speak of trouble and of this world's trials and tribulations." The somber musical mood is reflected in abstract gestures with heads bowed and weighted bodies reaching powerfully upward. Muted lighting effects and brown and skin toned costuming aid in this. In "I've Been Buked!!" nine dancers work in hushed accord, performing a ritual of communal introspection. The "Fix Me Jesus" duet conveys the strength of faith between a woman and her pastor through a subtle unfolding of leanings, balance and leg extensions that speak of trust and conviction of belief.
Take Me To The Water
The second section features an enactment of a ceremonial baptism. A large group of dancers clad in white sweep onto the stage as baptismal agents—a tree branch to sweep the earth and a white cloth to cleanse the sky—lead a processional to the stream of purification. To the strains of "Wade in the Water" a devotional leader bearing a large umbrella baptizes a young couple at a river, represented by yards of billowing blue silk stretched across the stage. A raucous ceremony is followed by the meditative solo "I Wanna Be Ready", which communicates a devout man's preparations for death. Created by Ailey in collaborations with its original dancer James Truitte, the solo builds on exercises derived from the Horton modern dance technique.
Move, Members, Move!
The final section celebrates the liberating power of 20th-century gospel music. This section includes the propulsive men's trio "Sinner Man" and the famous "Yellow" section, set in a southern Baptist rural church. Eighteen dancers in yellow costumes enact a church service with fans and stools. Stretched across the stage with torsos proudly lifted, the dancers embody the joy of faith contained by complex stepping patterns performed in unison.
Wednesday, June 16, 2010
Bishop Paul Morton - Be Blessed
We need each other, I'll pray for you, you pray for me and watch God change things !!
Tuesday, June 15, 2010
Sunday, June 13, 2010
James Moss
"Just James" - J Moss
J. Moss (born December 25, 1971) is an American gospel singer-songwriter, composer, arranger, and record producer.
Born and raised in Detroit, Michigan as James Moss, the son of Gospel star Bill Moss, Sr., James spent much of his childhood on tours with his father's popular group, Bill Moss and the Celestials, and his cousin's group The Clark Sisters. As an early teen, Moss was teamed with his brother Bill Jr. in the singing duo The Moss Brothers. They toured on weekends around the midwest and recorded two major label albums during their seven years together.
In this period James developed as a keyboardist and burgeoning songwriter. He was also learning first-hand the business of music. He attended Michigan State University for two years, but the desire to write and perform was too strong, and he left to seek a career in music.
Upon his return to Detroit, Moss signed with a small local Christian label Aviday Records and released two albums to little fanfare. Yet, during this time he became acquainted with Paul Allen and Walter Kearney. The three began working together as PAJAM. Moss spent the mid-90s touring with The Clark Sisters and was signed, along with Karen Clark-Sheard, his cousin, to Island Records in 1996 to record a solo album.
While a proper release never materialized for Moss before Island Black Music shut its doors, Clark's became a smash and introduced the Gospel world to the production powerhouse of PAJAM.
J Moss - We Must Praise
James Moss - Restored
Praise On The Inside - J. Moss
J. Moss - Forgive Me Lord (Its Me Again)
J Moss - Sweet Jesus
Sunday, June 6, 2010
Love is the Key
Love and Action is the answer. Really love Others. Hate what is wrong. Hold tightly to what is good. Love each other with genuine affection, and take delight in standing for what is right !
34"A new command I give you: Love one another. As I have loved you, so you must love one another. 35By this all men will know that you are my disciples, if you love one another."
Lean On Me
34"A new command I give you: Love one another. As I have loved you, so you must love one another. 35By this all men will know that you are my disciples, if you love one another."
Lean On Me
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