RON'S WORLD SUNDAY MUSIC

Sunday, October 3, 2010

Roberta Martin Singers

Roberta Martin - A Short History

Born in Helena, Arkansas, Martin moved to Chicago with her family in 1917, where she studied piano. Although a high school teacher inspired her to dream of becoming a concert pianist, her future course was changed after accompanying the Young People's Choir at Ebenezer Baptist Church. She came into contact with Thomas A. Dorsey, known as the Father of Gospel Music, through her work as the pianist for the youth choir. With Dorsey's help, she and Theodore Frye organized the Martin-Frye Quartet, a youth group consisting of Eugene Smith, Norsalus McKissick, Robert Anderson, James Lawrence, Willie Webb and Romance Watson, in 1933. Martin renamed the group the Roberta Martin Singers in 1936 and added Bessie Folk and Delois Barrett Campbell to the group in the 1940s. The group set the standard for the gospel choir and mixed group, and had an extremely successful recording career, featuring such hits as "Only A Look," and "Grace."[2] Most of these songs were published by Roberta Martin Studio of Music, a publishing house in Chicago that she incorporated in 1939, and would eventually publish outstanding compositions by gospel artists ranging from Professor Alex Bradford to James Cleveland. Her first composition, "Try Jesus, He Satisfies," was an immediate hit in 1943.[3] She was also the choir director of the Pisgah Baptist Church in Chicago for many years.

The theme song of the Roberta Martin Singers is "Only A Look." It was always sung at the opening of their concerts, at their annual Anniversary Program in Chicago, and was recorded on the Apollo label with Bessie Folk as lead soloist and later on the Savoy label with Delois Barrett as lead vocalist. Martin's group was unique in a number of ways. It was the first to include both male and female voices in a small group format. Martin favored smooth harmonies and a subtle rhythmic dynamic in which her singers were slightly, almost imperceptibly, behind the beat. On slower songs Martin featured lead singers against a subdued background provided by the rest of the group; on jubilee and shout material she used the more energetic call-and-response technique typical of Holiness churches. Martin encouraged her singers to maintain their individual personalities, allowing the audience to distinguish each backup singer's voice rather than blending them into a single choral sound.

Martin complemented her group's performance with her piano accompaniment, which often dictated the rhythm and pace of the song or commented on it by responding to or accenting a singer's performance. Martin's piano style reflected the influence of Holiness artists such as Arizona Dranes and her classical training. The other musical signature of the Roberta Martin Singers was the accompaniment of "Little" Lucy Rodgers Smith on the Hammond organ. Her droning introductory chord and unique "passes" using the bass pedals set the tone for a meditative experience and became a recognized trademark of a "Roberta Martin gospel song".

Martin's refined, subdued style, which emphasized phrasing and modulation,[original research?] had a profound influence on many gospel artists, including Albertina Walker, James Cleveland and Alex Bradford.[citation needed] Cleveland and Bradford wrote and arranged for and performed with her group early in their careers. Her stylistic restraint did not, on the other hand, mean that her group lacked fervor or emotional punch; as one commentator noted, "Bert would sneak up on you and hurt you."
Her group disbanded upon her death in 1969 but the surviving members continued to perform as a group in reunion concerts into the 21st century. Many of the members had later solo careers such as Delois Barrett, and Gloria Griffin, who was the author of the classic gospel song "God Specializes", made famous by the Roberta Martin Singers in concerts and recordings.

"Old Ship of Zion" (1949)- The Roberta Martin Singers

"When He Set Me Free"- Roberta Martin Singers

"Whisper a Prayer" (1965)- The Roberta Martin Singers

The Roberta Martin Singers - He Didn't Mind Dying (1952)

"Crucifixion" (1957)- The Roberta Martin Singers

The Roberta Martin Singers - What A Blessing In Jesus

Roberta Martin Singers- "God Specializes"

"Only A Look"- Roberta Martin Singers

"He'll Never Let You Down" (1982)- Daryl Coley & GMWA Choir

Saturday, September 25, 2010

Richard Smallwood with Vision

Richard Smallwood with Vision
Persuaded - Live in D.C.
Few sounds in Gospel are as recognizable as those that come from Richard Smallwood.
Be it his songwriting, those classical piano solos, or that resonant, richly textured thickness that is the hallmark of his vocal ensembles, the ear cannot mistake his genius.

The beauty here is that Persuaded embraces all that is so beloved of previous projects, but also explores beyond, giving even more to appreciate. The D.C.-based maestro demonstrates in front of the packed Jericho City of Praise church, that our God is One who knows no creative bounds.

Smallwood brings back his familiar top-notch collaborators. Steven Ford once again joins him in production and keyboards, Darin Atwater orchestrates, Bryan Pugh, Mark Walker, Jeff Davis and Jonathan Dubose play, and the entire Vision roster sing their hearts out.
The combination eloquently paints in music the meaning of the words that we are all singing along in our heads. Even with chaos and storms going around us, we who rest in Jesus Christ are nevertheless secure —it is well within our souls.

Richard Smallwood & Vision - Procession of the Levites (Prelude to Anthem of Praise)