Dorsey was the son of Thomas Madison Dorsey, who preached at Mt. Prospect Baptist Church, and Etta Dorsey, a church organist who taught young Thomas the keyboard. Growing up in Villa Rica in the early 1900s, the youth was introduced by relatives to shaped note singing and to a musical style that would later be known as the Blues.
After a spiritual awakening, Dorsey began concentrating on writing and arranging religious music. Aside from the lyrics, he saw no real distinction between blues and church music, and viewed songs as a supplement to spoken word preaching. Dorsey served as the music director at Chicago's Pilgrim Baptist Church for 50 years, introducing musical improvisation and encouraging personal elements of participation such as clapping, stomping, and shouting in churches when these were widely condemned as unrefined and common. In 1932, he co-founded the National Convention of Gospel Choirs and Choruses, an organization dedicated to training musicians and singers from all over the U.S. that remains active. The first generation of gospel singers in the 20th century worked or trained with Dorsey: Sallie Martin, Mahalia Jackson, Roberta Martin, and James Cleveland, among others.
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